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Exhibition collaborators and their teacher review reproductions of artworks by Clyfford Still, Pascal Sherman Indian School, Omak, Washington. Exhibition co-curator, Abel (third grade), presents his object selection to his classmate at Nespelem School, Nespelem, Washington.
Left: Exhibition collaborators and their teacher review reproductions of artworks by Clyfford Still, Pascal Sherman Indian School, Omak, Washington.
Right: Exhibition co-curator, Abel (third grade), presents his object selection to his classmate at Nespelem School, Nespelem, Washington.
April 2024. Photos by Bailey Placzek.

Colville Children Curate (title to be determined by co-curators)

Sep 19, 2025–May 10, 2026

Curated by children of the Colville Confederated Tribes, Bailey Placzek, and Nicole Cromartie

Colville Children Curate is a collaborative exhibition co-curated with youth from the Colville Confederated Tribes in Washington State. It highlights the perspectives of Colville children on Clyfford Still’s depictions of their ancestors and their home, as well as his abstract works. Installed in all nine of the Museum’s galleries, this exhibition investigates six themes identified by our co-curators: Family & Culture, Connection, Storytelling, Wilderness, Love, and Paint & Color.

Clyfford Still Museum’s curatorial and education staff worked with young children (ages three years to fourteen years old) and teachers from partner schools and childcare centers on the Colville Confederated Tribes Reservation on every level of the exhibition, including artwork selection and arrangement, object interpretation and gallery text, and interactive space.

This exhibition continues CSM’s efforts to foster engagement with its collections by sharing authority on Still’s work with the Museum’s critical communities and is an occasion to bridge various gaps—physical, cultural, metaphorical—that exist between Indigenous communities and the traditional art museum space.

Pastel on paper sketch of rolling hillsides on top of a color taken from the same location
Clyfford Still, PP-711, 1936. Pastel on paper, 8 5/8 x 12 in. Clyfford Still Museum, Denver, CO. © City and County of Denver / ARS, NY and photo taken in 2024 by CSM staff

Exhibition Background Development

While working as an instructor at the Washington State College Fine Arts Department, Clyfford Still assisted in founding a summer art colony for WSC community members and became one of its first instructors in the summers of 1937 and 1938. Instructors held classes in Nespelem on the Colville Reservation and Toppenish on the Yakama Indian Reservation in Washington. The Clyfford Still Museum collections include three paintings on canvas, over 85 drawings and sketches on paper, nearly 20 documentary photographs, and other archival ephemera documenting Still’s time in the area. These objects reveal how Still’s experiences with the Colville community profoundly impacted his work for years.

While culturally distinct and diverse, the twelve bands of the Confederated Tribes of the Colville Reservation—Chelan, Chief Joseph Band of Nez Perce, Colville, Entiat, Lakes, Methow, Moses-Columbia, Nespelem, Okanogan, Palus, San Poil, and Wenatchi—share cultural practices and 1.4 million acres of land. Though CSM has focused past exhibitions and programs on Still’s work from Nespelem since 2013, this exhibition seeks to extend and deepen CSM’s relationship with the Colville Tribal community.

Co-curated with children in the Colville Confederated Tribes in northeastern Washington, this exhibition explores Clyfford Still’s work through the perspectives of children, some of whom are direct descendants of individuals Still portrayed in his art. Colville Children Curate centers young Indigenous voices by engaging them to collaboratively develop an exhibition that builds upon previous evaluation, research, and CSM exhibitions, including Clyfford Still: The Colville Reservation and Beyond, 1934–1939 (2015), Clyfford Still, Art, and the Young Mind (2022), and You Select: A Community-Curated Exhibition (2022). Extending successful strategies for co-curation with children established in Young Mind’s development, we turn our focus now to deepening that engagement. Like Young Mind, Colville Children Curate prioritizes the exhibition’s development process and engages co-curators in artwork selection, interpretation, and design. This time, however, co-curators also contribute to the conception of the exhibition’s general theme(s) to amplify our collaborators’ vision and address the questions most relevant to their lives. In so doing, Still’s artworks—depicting their home, family, and everyday life, as well as Still’s larger, abstract canvas works—become refracted through their experience.

Exhibition Special Features

Stay tuned! We are currently working with community partners to create and finalize possible special features for the exhibition.

Exhibition Goals

This project acts on the shared desire of leaders of Confederated Tribes of the Colville Reservation and CSM staff to bring youth perspectives to bear in museum practices.

Curatorial Partners

  • Nespelem School, Nespelem, WA (three classrooms: 4th, 6th, and 7th grades)
  • Colville Head Start, Nespelem, WA (three classrooms, ages 3–5)
  • Gathered Hearts Montessori, Omak, WA (one classroom, ages 6–12)

Thank you to our partners who will make this exhibition possible.

School partners:

Nespelem School

Nespelem School District logo with an eagle

Nespelem Head Start

Colville Confederated Tribes Head Start logo

 

Supported by:

Henry Luce Foundation National Endowment for the Arts