To prepare for the installation of a new exhibition, CSM deinstalled the conservation spotlights from the previous exhibition, changed the look of a few gallery walls, and brought out two paintings from the next show, PH-883, 1952 and PH-64, 1952. During this week-long interlude, enjoy a full chronological presentation of highlights from our collection.
Please purchase tickets online before your visit.
Hours + Admission Info
![Composed of three horizontal bands of color, this work is one of Still's more unusual compositions. The majority of work is covered in a thick white pigment. A thin, distinct sliver of gray lines the bottom edge and a slightly wider, more hazy strip of yellow lines the top edge.](https://clyffordstillmuseum.org/wp-content/uploads/2024/01/ph64_interlude-228x300.jpg)
![A large grayish expanse fills the entire right two thirds of this composition. A bolt of unpainted negative space shoots into this expanse from the top center edge and is bisected by a yellow lifeline. An additional small yellow form is visible along the top edge to the left of the gray expanse. Two small red forms float along the bottom left edge.](https://clyffordstillmuseum.org/wp-content/uploads/2024/01/ph883_interlude-195x300.jpg)