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clyfford still | museum
Alan Antliff and Valerie Hellstein
Alan Antliff, Valerie Hellstein, and Bailey Placzek

Clyfford Still Museum to host a talk and discussion about the Still and community

Denver, CO – October 9, 2024 – The Clyfford Still Museum (CSM) will present the program “Clyfford Still and Community: A Talk and Conversation” from 6:30 p.m. to 7:30 p.m. on Thursday, October 24, in the Museum lobby.

The current exhibition, Dialogue and Defiance: Clyfford Still and the Abstract Expressionists, considers the nuanced ways Clyfford Still was part of an artists’ community in the late 1940s and early 1950s, despite his protestations. During the first part of the program, scholar Allan Antliff will present Barnett Newman, Clyfford Still, and a new Romanticism as part of this exploration of this artist community. The talk will be followed by a conversation inspired by “The Club” gatherings of this time period with exhibition curator Valerie Hellstein and Bailey H. Placzek, CSM’s curator of collections and catalogue raisonné research and project manager.

This program is $5 for the public and free for CSM members. Registration is required, and space is limited. The Museum galleries will be open for attendees from 6 p.m. to 6:30 p.m. before the event.

About the Speakers

Allan Antliff

A man wearing glasses looks at the camera
Allan Antliff, photo courtesy of the University of Victoria

Allan Antliff, Jeffrey Rubinoff Legacy Professor in Art History and Visual Studies at the University of Victoria, is the author of Joseph Beuys (2014), Anarchy and Art (2007), and Anarchist Modernism (2001). Active as an art critic, Allan has published numerous art reviews and feature articles in journals such as SubStance, Canadian Art, C Magazine, and BlackFlash.  He has also contributed to exhibition catalogs for the Musee Du Luxemburg, Whitney Museum of Art, the Vancouver Art Gallery, and other institutions. Building on research while in residence at the Clyfford Still Museum (“Clyfford Still on the Margins of Anarchy,” Modernism/Modernity, 2020), Allan is currently exploring Still’s impact in the broader abstract expressionist movement.

Recent publications include “Art/Economics” in Art and Knowledge after 1900: Interactions between Modern Art and Thought (University of Manchester Press, 2023) and Julian Beck’s Scroll Painting for the Living Theatre’s The Yellow Methuselah: Vasily Kandinsky, Anarchism, and the Politics of Abstract Expressionism, co-authored with Giorgia Autelitano (Morra Foundation, 2024).

Valerie Hellstein

A woman wearing a green shirt and blue jacket smiles and stands in front of an abstract light blue gray painting on a concrete wall
Valerie Hellstein, photo by Fireside Production

Valerie Hellstein is a scholar of Abstract Expressionism, and is writing a book on Abstract Expressionism and “The Club,” a New York City loft where artists, intellectuals, critics, poets, and musicians gathered to present ideas, debate, listen, and share their work. Hellstein has written essays and articles and given talks on various aspects of Abstract Expressionism for over fifteen years. She has a PhD in art history from Stony Brook University, and for a decade she taught modern and contemporary art to college students and adult learners. She also worked for a time as a researcher at the Willem de Kooning Foundation in New York. Before becoming the managing editor at the Denver Art Museum, she taught courses at the University of Denver and CSU and led weekly tours at the Clyfford Still Museum.

Bailey H. Placzek

Bailey H. Placzek
Bailey H. Placzek

Bailey Placzek is the Clyfford Still Museum’s curator of collections and catalogue raisonné research and project manager. She has been engaged in CSM’s curatorial program and collections research since before the Museum’s opening in 2011. She has given numerous talks at CSM—including The Secret Lives of Clyfford Still’s Paintings (2022)—as well as at various local and national conferences like the American Alliance of Museums (AAM) and the National Art Education Association (NAEA). Other curatorial projects include Clyfford Still, Art, and the Young Mind (2022), A Decade of Discovery: Clyfford Still in Denver (2021–22), and Still: Elemental (2019). Placzek’s work is focused on advancing access to collections, promoting art’s ability to foster connections among humanity across time, and deconstructing museum work to make it more transparent, collaborative, and fun. Placzek received dual BA degrees in Art History and Art from the University of Kansas and a MA in Art History from the University of Denver.

About the Clyfford Still Museum
Designed by Allied Works Architecture to display the art of one of the 20th century’s greatest artists, the Clyfford Still Museum opened in November 2011 in Denver’s Golden Triangle Creative District. Considered one of the most important and mysterious painters of the 20th century, Clyfford Still (1904-1980) was among the first generation of abstract expressionist artists who developed a new and powerful approach to painting in the years during and immediately after World War II. The Museum’s collection represents more than 93% of the artist’s lifetime output. As the steward of Still’s art and legacy, the Museum’s mission is to preserve, exhibit, study, and foster engagement with its unique collections; generate outstanding exhibitions, scholarly research, educational and other cross-disciplinary programs that broaden the definition of a “single-artist” museum; and be a gathering place for the exploration of innovation and individual artistic endeavor. Connect with the Clyfford Still Museum on FacebookTwitterInstagram, TikTokYouTube, or at clyffordstillmuseum.org.

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